Jack White’s Surprise Untitled LP Exemplifies The Idea That Money Doesn’t Determine The Value Of Art

Eminem Buries Any Remaining Prospects Of His Longevity On ‘The Death of Slim Shady’

Kathleen Hanna’s ‘Rebel Girl’ Memoir Illustrates The Gravity Of Second-Guessing Leadership

ScHoolboy Q’s ‘Blue Lips’ Is a Specimen of Evolution, Both Immediate & Gradual

Erick the Architect’s ‘I’ve Never Been Here Before’ Retains Its Serenity Amid Distractions

Heems & Lapgan’s Distinct Rapport on ‘LAFANDAR’ Adds New Shades to No-Nonsense Hip-Hop

Danny Brown Reworks a Death Wish Into a Truce With Himself on ‘Quaranta'

Doja Cat Reuses Her Tried & True Tricks to Middling Results on ‘Scarlet’

Danny Brown & JPEGMAFIA Drag Discipline Through the Mud on 'SCARING THE HOES'

slowthai Gives Punk Rap a Grungy Rebrand on 'UGLY'

'Cracker Island' Is Yet Another Installment in a Series of Unmemorable Gorillaz Releases

Lil Yachty Transcends Hip-Hop on 'Let’s Start Here.'

The Tragedy of Farha Has a Striking Resemblance to the Events That Prefaced It

'Cars' by Arctic Monkeys Is a Radiant Snoozefest

Review: 'She Said' by Starcrawler

Review: 'Will of the People' by Muse